“Those who have art before their eyes and on their minds [. . .] have forgotten themselves. Art draws away from the I. Art here demands a certain distance in a certain direction, on a certain path.”[1]
The poet Paul Celan made those remarks some fifty-six years ago in “The Meridian,” his acceptance speech for the Georg Büchner Prize for literature.
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What projections are to us all individually, scapegoats are to us all collectively: the parts of ourselves we are continuing to disown.
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How, for instance, can the United States of America, one of the communities to which I belong, embrace not just its war heroes but also its war murderers, as it were.
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How can we embrace not just those parts of ourselves we are proud of, and would like to be known by, but also—and especially—those parts of ourselves we are not proud of, and would not like to be known by?
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As I have said before here, the issue is not to engage in some comparison of atrocities, trying to decide which atrocity was worse, which nation guilty of the most or worst crimes. We should have no patience for the disgusting business of drawing such comparisons, trying to establish the victor in the race of nations into moral depravity. That is not in the least the issue.
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I have never killed any children, either intentionally—whether under orders or not—or by accident. Nor have I ever stood by and watched while others did such killing. But I certainly have done things of which I am far from proud, and I have suffered at the knowledge of my deeds. What is more, I will even disclose, share, and confess that I can understand how it is possible to do even such things as such vets themselves once did.
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A news-piece appeared in the “Science News” section of The New York Times for July 7, 2016, under the byline of Jane E. Brody, and was entitled “War Wounds That Time Can’t Heal.” Beneath that title came this one-sentence blurb: “Moral injury resembles post-traumatic stress disorder, with an added burden of guilt.”
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One idea that I find germinating in my own thoughts is that I might do something under some title such as ” ‘Forgetting Ourselves’: Poetry and the Obligation of Remembrance.” In that context, one thing I would want to do is to play upon the ambiguity of the American expression, “forgetting oneself,” which can have both a negative and a positive connotation.
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...to remind Americans of just who they really are, given their own bloody history—who they for far too long have been, and are called upon to stop being and, in fact, to atone for having been.
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